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By-and-large the consensus seemed to suggest: I wanted to like it, I know I should like it, but something doesnt quite add up. In the New York Times , Alessandra Stanley called the show an artful reworking of the gangster myth, but said that, it isnt a great work of art. Nancy Franklin described Boardwalk as authentic in a way that, paradoxically, seems lifeless. Emily Nussbaum continued this strain of criticism, grouping Boardwalk in with those ambitious series whose lacquered looks crack apart when you apply the slightest pressure. The consensus was that the series could not add up to the sum of its parts: ambitiously conceived, cinematographically gorgeous, well-acted, yet ultimately lacking the factor that made The Sopranos or The Wire into gangster narratives par excellence