Passports 2012–2025 bunnies Each work is based on

Each work is based on cut paper collage and paint

In Martinique

“I learned how not to see in my mother’s house

The featured artists—many parents themselves—have made artwork that involves children as collaborators

as she shape-shifts through the centuries

Passports 2012–2025 bunnies Each work is based onPassports 20122025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centred around her fathers earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery paints, beads, photograph fragments of Black bodies, gold leaf, glitter to form a deeply textured act of photomontage. Interwoven with the