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It’s Not You, It’s Me Office Supply The mid-twentieth century was one

It’s Not You, It’s Me Office Supply The mid-twentieth century was oneIts Not You, Its Me' was selected as a playful and provocative name for the countrys first pavilion at the worlds most prestigious contemporary art event. As a new arrival at the Biennale, the title is unapologetic about documenting the nation; even while the Pavilion as a whole can be seen as an exhibition about exhibition making, reflecting on the very act of national showcasing at la Biennale di Venezia. Commissioner Dr Lamees Hamdan, a graduate of

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Description

The mid-twentieth century was one of the most popular

Colors jump from furniture to kaleidoscopic walls

Claudio Pazienza and Sarah Vanagt

and previously overlooked government documents

emotionally and intellectually

It’s Not You, It’s Me Office Supply The mid-twentieth century was oneIts Not You, Its Me' was selected as a playful and provocative name for the countrys first pavilion at the worlds most prestigious contemporary art event. As a new arrival at the Biennale, the title is unapologetic about documenting the nation; even while the Pavilion as a whole can be seen as an exhibition about exhibition making, reflecting on the very act of national showcasing at la Biennale di Venezia. Commissioner Dr Lamees Hamdan, a graduate of

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