Vol. XVIII · Free shipping $75+ · Read the collection
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A moor is not a mountain XIV Northern lights In this work

A moor is not a mountain XIV Northern lights In this workIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive

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Description

In this work

00Rest of World: £22

using oils and cold wax to create depth

These ancient markers have guided travellers across the moors for centuries

particularly the North York Moors and its ancient waymarkers

A moor is not a mountain XIV Northern lights In this workIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive

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